Pop-down takes the farewell celebration of the brand fabric qorn as its departure point, presenting the creative shift of its founder, Zhao Chenxi, over the course of his month-long residency.

A Pop-up of A Pop-up asks how cultural value might be produced, circulated, and sustained through collective forms of making, learning, and living.

At the closing of the Coro de Soles Menores, CHERUBY brings this latent motif into reality by inviting a local community choir to activate the space through a live performance.

Coro de Soles Menores (Chorus of the Minor Suns) presents Mexico City–based artist Bárbara Sánchez-Kane’s field-research exhibition in China, following a two-month residency as part of the inaugural artist-in-residence programme at CHERUBY.

This exhibition forms part of CHERUBY’s ongoing reflection on the evolving aesthetic regimes that shape both fashion and art. The entangled relationship between the two is well established—at once reciprocal and oppositional—giving rise to a spectrum of aesthetic by-products: from superficial strategies of innovation and compulsive consumption habits to convenient modes of cross-reference and the flawed technologies and metrics devised to quantify taste. In commissioning artist Andrew J. Greene to develop a project grounded in the material and affective qualities of everyday objects—and presenting it in Shanghai in the form of an exhibition—Cheruby seeks not only to foreground the inherent resilience of things themselves for local audiences, but also to question the entrenched assumptions, discursive hierarchies, and inherited modes of address that continue to shape our encounters with art and fashion under the pressures of consumer culture.