Initiated by SansPeng and CHERUBY , this workshop explores re-make as both method and mindset—bringing ideas of reuse, structure, and circulation from exhibition space into everyday life.

On March 21, CHERUBY presented an open studio by artist-in-residence Tanat Teeradakorn, inviting audiences into his Shanghai workspace where moving image, sound, and everyday traces intersect.

The solo exhibition "License to Live" by Chinese-American artist Bruno Zhu, sponsored by CHERUBY founder Cherry Xu, has now traveled to the CAM (Centro de Arte Moderna) in Lisbon, Portugal, following its closure at the Chisenhale Gallery in London. It is being showcased once again under the title "Belas Artes."

CHERUBY is honored to share Vogue México’s interview with Mexican artist Bárbara Sánchez-Kane, who was in residence at CHERUBY last autumn.

The Chanel Culture Fund recently announced the list of 10 award-winning artists. The winners span the fields of visual arts, music, design, performance, and film.

Since September 2025, CHERUBY has initiated its artist residency program, dedicated to supporting site-responsive research and interdisciplinary artistic production. In 2026, CHERUBY welcomes Tanat Teeradakorn as the first resident artist of the year.

The event will take place on January 24 at 13:00 in the second-floor exhibition space at CHERUBY. No reservation required.

With this film, CHERUBY delves into the threads left behind by Sánchez-Kane during his residency in Shanghai. It is not a retrospective of finished works, but an observational practice that brings us closer to his modes of thinking and processes of becoming. Centered on his working state, the film captures those moments in which materials are tested, structures are overturned, and the body is continually negotiating with systems—moments still in formation.

The Night of the Minor Sun: Volcanic Images and Mulled Wine, conceived as an extension of the research pathways and methodologies explored in the current exhibition Coro de Soles Menores (Chorus of the Minor Suns).

CHERUBY is pleased to announce the appointment of Joni Zhu as its new Director. She is a curator working at the intersection of contemporary art, critical theory, and cultural analysis, with projects including programming, commissioning, writing, and lecturing.

CHERUBY and Viscose presented “Fashion Sensorium” on the 24th October at Paris Internationale.

Coro de Soles Menores (Chorus of the Minor Suns) presents Mexico City–based artist Bárbara Sánchez-Kane’s field-research exhibition in China, following a two-month residency as part of the inaugural artist-in-residence programme at CHERUBY.

CHERUBY is proud to launch its inaugural residency programme. For our first edition, we have invited Mexican artist Bárbara Sánchez-Kane as our resident artist. During his three-month stay in Shanghai from September to November, our dedicated residency curators will provide support for his research investigations and facilitate local network connections. This residency marks Sánchez-Kane’s first participation in a programme of this kind throughout his artistic career, and CHERUBY is deeply honoured to support his contextual research while witnessing the unfolding of a creative journey in Shanghai.

Founded by Cherry Xu, CHERUBY is an arts and cultural organisation dedicated to fostering creative production at the intersection of art and fashion.

This exhibition forms part of CHERUBY’s ongoing reflection on the evolving aesthetic regimes that shape both fashion and art. The entangled relationship between the two is well established—at once reciprocal and oppositional—giving rise to a spectrum of aesthetic by-products: from superficial strategies of innovation and compulsive consumption habits to convenient modes of cross-reference and the flawed technologies and metrics devised to quantify taste. In commissioning artist Andrew J. Greene to develop a project grounded in the material and affective qualities of everyday objects—and presenting it in Shanghai in the form of an exhibition—Cheruby seeks not only to foreground the inherent resilience of things themselves for local audiences, but also to question the entrenched assumptions, discursive hierarchies, and inherited modes of address that continue to shape our encounters with art and fashion under the pressures of consumer culture.

The Hyundai Commission: Mire Lee: Open Wound: Closing Programme: A Map of the Pit is supported by Cherry Xu / CHERUBY.